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chris cutler
musical background
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He started messing about with banjo, guitar and trumpet at school,
settling for drums and playing shadows and other instrumental covers in
his first band in 1963. Subsequently he played in R'n'B and Soul Bands,
winding up in 1967 playing in London's psychedelic clubs. At the start
of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co,
a 22 piece Rock composer's orchestra, eventually joining British
experimental group Henry Cow with whom he toured, recorded and worked in
dance and theatre projects until it's demise in 1978. In 1977 Henry Cow,
The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and
toured around Europe. After Henry Cow, Cutler went on to co-found a
series of mixed national groups Art Bears, News from Babel, Cassiber,
The (ec) Nudes, P53 and The Science Group. He was a permanent member of
American bands Pere Ubu, Hail and The Wooden Birds and now works
sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu
Dumitrescu, Peter Blegvad and Stevan Tickmayer.
Other lasting collaborations have included Aqsak Maboul (Belgium),
Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers
(Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A.,
(Italy), Telectu (Portugal), Mieku Shimuzu (Japan),The Hyperion Ensemble
(Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and
Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity
and Mirror Man. There have also been countless improvisational groupings
and solo performances. Recent projects include Radio pieces with Lutz
Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr
(with Italians Musci and Venosta), his Timescales project and work with
David Thomas and Linda Thompson.
He also founded and runs the independent label and distribution service
ReR/Recommended and, until 1991, the East European specialist label
Points East. He is editor of the New Music magazine Unfiled and author
of the theoretical book File Under Popular as well as of numerous
articles and papers published in 14 languages. He lectures
intermittently on theoretical and music related topics. He has appeared
on more than 100 recordings.
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